The Polynesian simplification of form such as the Tivaevae quilts, Kowhaiwhai designs and Tukutuku panels, alongside my celtic lineage and affiliations through marriage with the Te Arawa Tribe, have impressed upon me the beauty of strong simple lines. 

My subject matter has also been influenced by my deep love of nature. I choose images that I strongly associate with the subtropical environment of my upbringing, such as the Hibiscus and Frangipani flowers. The colour red is a constant theme throughout my work, reflecting my passion for the South Pacific and its people.

My previous prints have incorporated strong historical themes such as a series based on the Treaty of Waitangi. This reflects my interest and previous studies undertaken in Social History.

On a subconscious level the subject matter of my artwork is a direct reflection of my own personal history. This history is derived from my experience of being a Pakeha raised in South Auckland. With no link to my own Irish/English heritage to make reference to, I absorbed the wonderfully rich culture of the Maori and Pacific Islanders around me. This was reinforced by my family ties to the Te Arawa Iwi. 

Today, I am still reconciling the two worlds of my British lineage alongside my experience of Maoridom, and have yet to determine the point of intersection at which I am placed. However my art allows me to work through this dichotomy from which I hope to create powerful and stirring New Zealand artwork.